Everyone is familiar with the Easter egg and bunny, well its commercial aspect, thanks to chocolate companies creating all shapes of eggs and bunnies for the almighty dollar. Not the Almighty God in this case. Most of us would have had our fair share of purchasing and consuming the confectionery items. But where did these iconic figures come from and what is their true meaning?
Our next destination has a unique history, and perhaps the earliest forerunner of women’s liberation. Then again, what happened may raise a few brows and possibly considered extreme as to the outcome. We are off to the Island of Hephaistos/Hephaestus, today known as Limnos/Lemnos. It is one of the northern islands of Greece and not far from the Hellespont, the Dardenelles in Turkey, the famous trade route between the west and east, and also where Troy was situated.
Our next port of call is the Cycladic island, Santorini. I’ve been fortunate to go there twice and I still remember how excited I was the first time I went. It was research for my series, Servant of the Gods, but it was so much more. I wanted to see Akrotiri, the Bronze Age city that was buried when the volcano erupted but unfortunately it was closed to the public. I was so disappointed. I had travelled from Australia specially to see it, and I never got to step a foot near the place. I did later hear when I returned to Perth that someone, a tourist, was injured at the site.
To continue with the blog series (that is hiccupping along!) I had begun last year. Click here to have a quick refresher of the infographic I created as an overview of the locations featured in my book The Labyrinthine Journey. In this post, we will be heading to Eleusis, renowned for the ‘mysteries’, and where the legend of Demeter and Persephone was ignited.
Evan and his companions leave Corinth to go to Delphi so they can meet with Pythia, who has information regarding the sacred relic. This is according to the information Evan was given by a chance encounter with a mysterious woman. To get to central Greece, they need to hire a boat to sail across the Gulf of Corinth and this is where they meet Jason and his crew, the Argonauts.
Just as a heads up, a new file has been uploaded onto Amazon of the eBook The Labyrinthine Journey.
If you have ordered a copy of the eBook, you should receive notification from Amazon letting you know about the update.
To begin the new series, we are starting at the city of Pylos, from where the characters resume their search for the sacred relics of the Mother Goddess.
The ancient site of Pylos was a Mycenaean city in southern Greece, established in the bronze-age, circa 1,300 BCE. Its location on the western coast in the Peloponnese, facing the Ionian Sea and the Italian coast, enabled the city to become a trading port.
The Minoans came from one place—Crete—as far as evidence shows, yet their influence stretches across the Aegean to mainland Greece. The reconstruction of the palaces at Pylos, Tiryns and Mycenae show similar structural features as did the artwork. The confluence of such occurrences was a result of trade which the Minoans were renowned. The fame of the three city-states mentioned was due to Homer and his tale of the Iliad. The era he spoke of 1300 BCE was 500 years before his time and the three cities were no longer in power.
I couldn’t resist borrowing Douglas Adams’ title of the fourth book of his series Hitchhiker’s Guide to the Galaxy for this blog post. Brilliant books if you haven’t read them. Apt too, as the dolphins leave planet Earth knowing it was fated to be destroyed long before the humans cottoned on. This makes me wonder whether the Atlanteans got warnings as to what would happen if they continued to behave contrary to the gods’ structured tenets? If they had, in what form did the warnings come? The final act of the gods was finite and the effects impacted many cultures. This is why I believe Plato took his main premise of the story from the eruption of Thera and subsequent dissolution of the Minoan culture.
One of the strongest and most compelling messages in Plato’s dialogues, Timaeus and Critias, was about human nature. He uses his former teacher Socrates as the pivotal character in his dialogues, to question the students on many facets of life. In a way, Socrates is the moral compass in the story by which his words of wisdom seek to provoke and elicit thoughtful responses. This oratorical strategy no doubt would have compelled and evoked passionate discussions, which could also be the reason why Plato did not finish the dialogue of Critias.